ORIGINAL

“Loan Wolves” Featured in Forbes Magazine | Who’s Behind the Student Loan Crisis?

Bankruptcy Law Doesn’t Allow Debtors To Escape Student Debt: The Law Should Change

It’s difficult to conceive of a way to address the student debt issue in a way that would satisfy both conservative and liberal politicians, but a nascent movement to allow people to discharge student debt via bankruptcy may be the one policy in this realm that manages to achieve a modicum of bipartisan consensus.

Right now someone who is heavily in debt can escape nearly every obligation they have via bankruptcy either by filing a Chapter 7 bankruptcy, which essentially wipes their slate clean, or a Chapter 13 bankruptcy reorganization, whereby the court establishes a repayment plan for the debtor and wipes out some fraction of their debt.

Giving people the ability to file bankruptcy is a good thing: We don’t want people saddled indefinitely with debts they are simply unable to ever repay, regardless of how they may have incurred them. Most people who file bankruptcy suffered some sort of major economic setback that put them in a financial hole they are unable to overcome on their own.

However, virtually the only debt people cannot escape from in bankruptcy is student debt, and given that it totals nearly $2 trillion, that’s a major exception. And there’s no good reason it is excluded this way: The terrific new documentary Loan Wolves—which makes its broadcast debut December 11th on MSNBC and Peacock—determines through considerable effort that the reason Congress ultimately decided to make student debt non-dischargeable via bankruptcy is simply because Congress needed a revenue raiser for a legislative package in the late 1990s.

No politician offered a legitimate policy reason to do this at the time, and most were not even aware the change was being made. The movie tracks down the key players in that legislation, each of whom now believe it should be changed.

The law prohibiting student debt to be discharged via bankruptcy is a familiar one for me even though I never had to grapple with any student debt of my own: My father was a bankruptcy lawyer for over forty years, and he inadvertently played a small role in making it more difficult for people with student debt to escape it via bankruptcy.

He was the first lawyer in the state of Illinois to advertise his services: at the time it was unclear that doing so was even legal, and it took a Supreme Court decision a few months after he began advertising to establish its legality.

His first newspaper ad explicitly targeted people with student debt. His ad, which simply read “Student Loan Relief Now: Discharge Your Debts Via Bankruptcy” set off a firestorm, and he was vilified in the media across the state for daring to encourage such a thing. The ensuing media storm contributed to the efforts of politicians in Illinois and elsewhere to limit the ability of people to escape student debt via bankruptcy.

Congress passed a law in the late 1970s that limited that ability, and gradually reduced it further for two decades until the 1998 law made it all but impossible.

My father published such an ad because as a bankruptcy lawyer he had seen how many people at the time were struggling with student debt, and he wanted to help these people start a fresh life.

While my father was a very conservative man—he used to purchase subscriptions to National Review and Commentary for area libraries—he also believed that bankruptcy was vitally important, and he pushed back on those who felt it was too often abused and needed to be reined in. When Congress modified the bankruptcy law in 1998 to limit the dischargeability of student debt via bankruptcy—and again in 2005 when it made escaping credit card debt more difficult—he delayed his retirement to deal with the aftermath of the law and its impact on debtors, working into his 80s.

While simply forgiving some portion of student debt is an idea that conservatives (rightly) abhor, people who believe in limited government should be outraged about exempting student debt from bankruptcy. Allowing people to discharge their student debt through bankruptcy would benefit solely those people with student debt who truly need some assistance, and all of us would benefit from freeing those people from the weight of this burden.

Article written on forbes.com by Ike Brannon

“Phat Tuesdays” Named Best Documentary/Comedy by New York Times

Best Comedy of 2022

Stand-up specials like “Rothaniel” pushed boundaries this year, and Netflix’s financial setbacks could mean that its dominance in comedy is slowing.

This year was a “best of times, worst of times” situation in comedy. When it comes to recovering from the pandemic, live stand-up fared better than Broadway. Touring shows did good business. But anxiety in the comedy world grew as Netflix hit some serious financial setbacks. Gatekeepers, like network executives and late-night bookers, continued to have less sway, but were social media algorithms any better? In this transitional year, here are some highlights.

Best Special

It’s not often that “beautiful” is the first word that comes to mind about a stand-up special. For some, that might even sound like a backhanded compliment. When did beauty ever make you laugh? But Jerrod Carmichael’s “Rothaniel,” a radically intimate, cinematically shot production, is a departure for him and stand-up more broadly. Its melancholy tone and patient pace set up new kinds of clever jokes. And its exquisite aesthetic features stunning and unexpected shots staged by the director, Bo Burnham, that emphasize the theme of mystery and secrets. Carmichael’s language manages to be unorthodox and elegant, and the way he interacts with the audience displays a vulnerability that is as moving as it is funny. (Streaming on HBO Max.)

Best Debut

The first special from Atsuko Okatsuka, “The Intruder,” has a title that sounds like a horror movie, which is apt. A charming narrator of her own anxiety, her jokes find unique angles into an ancient feeling: Fear. Premiering on HBO Max on Dec. 10, the special’s backbone is her cowering response to a stranger approaching her house, but unexpected visitors aren’t the only thing she’s afraid of. Teenagers petrify her. Their coolness unsettles. Then there’s a disastrous interaction with a stranger’s dog who licks her, and when she pushes forward, she accidentally licks the animal’s tongue. “Don’t worry,” she assures the pet’s owner nervously, “I’m married.”

[…]

Best Documentary

In “Phat Tuesdays,” a three-part series on Amazon Prime Video, the director Reginald Hudlin doesn’t just effectively and entertainingly argue for the seismic importance of the little-known Black comedy night at the Comedy Store. He also makes the 1990s Los Angeles comedy scene look like a way better time than anyone is having now. (Streaming on Amazon Prime Video.)

[…]

Best Comedy With Music

In this booming alt-comedy genre, Matt Rogers’s new Showtime special, “Have You Heard of Christmas?” — which straddles lines between holiday album spoof and dead serious homage, ironic schmaltz and genuine emotion — stands out for its commitment to sultry-to-the-point-of-silly songs. In this regard, it’s more in the spirit of Sandra Bernhard’s annual New Year’s Eve show than Bo Burnham. (Streaming on Showtime.)

Most Popular New Trend in Specials

This was the year when otherwise polished stand-up specials regularly incorporated conversations with audience members. Patton Oswalt riffed with ticket buyers for several minutes in “We All Scream.” Joel Kim Booster built interactions with one person into the connective tissue of his show, “Psychosexual.” Hasan Minhaj (“The King’s Jester”) and Andrew Schulz (“Infamous”) did plenty of crowd work. Matteo Lane did an entire show of it (“The Advice Special”). Perhaps the absence of audiences during the pandemic made comics a little more eager to bring people into the performance.

Best Sign That Netflix’s Dominance Is Over

The year began with Netflix’s stock price plummeting, the company cutting staff and then, most notably, trying out a leasing model. In that approach, stand-up comics (like Chris Distefano and Whitney Cummings) pay their own production and marketing costs, receive a smaller fee and get the rights to their material back after a window on the site. The platform famous for giving out tens of millions of dollars to comics has entered the austerity era.

Best Sign That Netflix Still Dominates

No other streamer has come close to competing with it. FX and Peacock dabbled. Amazon did more than that. And HBO Max had a few hits. But we’re still waiting for a rival to fully engage in stand-up comedy.

Best YouTube Special

You can make an argument that the best producer of specials right now is YouTube, especially when you factor in price for the viewer. Among the comics who released funny specials for free were Fahim Anwar, Ari Shaffir, Liz Miele and Ali Siddiq. But the one that made me laugh loudest was “Jokes From the Underground” by Raanan Hershberg, whose punchy and deliriously funny club comedy made me laugh after second and third viewings.

 

Article written by Jason Zinoman for nytimes.com

Logo